Friday, December 28, 2018
The 10 Best Books of 2018
From twists and turns in The Woman in the Window, to socially relevant novels of fiction, to powerful new memoirs by Sally Field and Tina Turner, these are my picks for the 10 best books of the year.
The Woman in the Window by A.J. Finn
Anna Fox lives alone—a recluse in her New York City home, unable to venture outside. She spends her day drinking wine (maybe too much), watching old movies, recalling happier times…and spying on her neighbors. Then the Russells move into the house across the way: a father, a mother, their teenage son. The perfect family. But when Anna, gazing out her window one night, sees something she shouldn’t, her world begins to crumble—and its shocking secrets are laid bare. A standout character-driven psychological thriller with a big load of genuine twists.
The Dangerous Art of Blending In by Angelo Surmelis
Seventeen-year-old Evan Panos doesn’t know where he fits in. His strict Greek mother refuses to see him as anything but a disappointment. His quiet, workaholic father is a staunch believer in avoiding any kind of conflict. And his best friend Henry has somehow become distractingly attractive over the summer. Tired, isolated, scared—Evan’s only escape is drawing in an abandoned church that feels as lonely as he is. And, yes, he kissed one guy over the summer. But it’s his best friend Henry who’s now proving to be irresistible. It’s Henry who suddenly seems interested in being more than friends. And it’s Henry who makes him believe that he’s more than his mother’s harsh words and terrifying abuse. But as things with Henry heat up, and his mother’s abuse escalates, Evan has to decide how to find his voice in a world where he has survived so long by avoiding attention at all costs. A personal and very emotionally charged story that I recommend to anyone who likes YA and LGBTQ narratives.
I Stop Somewhere by T.E. Carter
Ellie Frias disappeared long before she vanished. Tormented throughout middle school, Ellie begins her freshman year with a new look: she doesn't need to be popular; she just needs to blend in with the wallpaper. But when the unthinkable happens, Ellie finds herself trapped after a brutal assault. She wasn't the first victim, and now she watches it happen again and again. She tries to hold on to her happier memories in order to get past the cold days, waiting for someone to find her. The problem is, no one searches for a girl they never noticed in the first place. I Stop Somewhere is not to be missed. Raw, emotional, powerful, important, and real. Please go read it, and don't skip the author's note at the end. Highly, highly, HIGHLY recommend.
Falling With Wings: A Mother’s Story by Dianna De La Garza
Before she was mother to global superstar Demi Lovato, she was just Dianna Hart, and she tells her story from the very beginning in this complete and genuinely affecting memoir. Dianna had big plans of becoming a country music star, but her life went in a different direction than her dreams. She developed an eating disorder early in life to gain a sense of control in her strict upbringing. As she continued to struggle with body image and her obsession with being perfect her entire adult life, she was also met with other difficult situations. Her husband and father of her two eldest daughters, Dallas and Demi, had his own troubles that effected the entire family. She coped with alcohol and pills, forming a long-lasting addiction. She's had terrible lows but also some great highs as she watched her daughters break out in Hollywood to become strong, empowered young women. As a mother caring for daughters with addictions while continuing to battle her own, Dianna offers a unique perspective. And as a family, they have survived everything life has thrown at them and come away from it stronger than ever. Dianna tells her story of living through and surviving adversity—with tremendous strength, love, and faith. Overall a very interesting and powerful read that will open the eyes of any Demi Lovato fan or anyone who has ever followed a child star. I can only commend Dianna De La Garza for finding a way to share her story with the world in such an open and honest way.
The Broken Girls by Simone St. James
Vermont, 1950. There's a place for the girls whom no one wants—the troublemakers, the illegitimate, the too smart for their own good. It's called Idlewild Hall. And in the small town where it's located, there are rumors that the boarding school is haunted. Four roommates bond over their whispered fears, their budding friendship blossoming—until one of them mysteriously disappears… Vermont, 2014. As much as she's tried, journalist Fiona Sheridan cannot stop revisiting the events surrounding her older sister's death. Twenty years ago, her body was found lying in the overgrown fields near the ruins of Idlewild Hall. And though her sister's boyfriend was tried and convicted of murder, Fiona can't shake the suspicion that something was never right about the case. When Fiona discovers that Idlewild Hall is being restored by an anonymous benefactor, she decides to write a story about it. But a shocking discovery during the renovations will link the loss of her sister to secrets that were meant to stay hidden in the past—and a voice that won't be silenced. A good mystery for anyone in need of a good mystery.
Dead Girls: Essays on Surviving an American Obsession by Alice Bolin
A collection of poignant, perceptive essays that expertly blends the personal and political in an exploration of American culture through the lens of our obsession with dead women. In her debut collection, Alice Bolin turns a critical eye to literature and pop culture, the way media consumption reflects American society, and her own place within it. From essays on Joan Didion and James Baldwin to Twin Peaks, Britney Spears, and Serial, Bolin illuminates our widespread obsession with women who are abused, killed, and disenfranchised, and whose bodies (dead and alive) are used as props to bolster a man’s story. From chronicling life in Los Angeles to dissecting the “Dead Girl Show” to analyzing literary witches and werewolves, this collection challenges the narratives we create and tell ourselves, delving into the hazards of toxic masculinity and those of white womanhood. Beginning with the problem of dead women in fiction, it expands to the larger problems of living women—both the persistent injustices they suffer and the oppression that white women help perpetrate. Sharp, incisive, and revelatory, Dead Girls is a much-needed dialogue on women’s role in the media and in our culture.
The Good Neighbor: The Life and Work of Fred Rogers by Maxwell King
Fred Rogers (1928–2003) was an enormously influential figure in the history of television and in the lives of tens of millions of children. As the creator and star of Mister Rogers’ Neighborhood, he was a champion of compassion, equality, and kindness. Rogers was fiercely devoted to children and to taking their fears, concerns, and questions about the world seriously. The Good Neighbor, the first full-length biography of Fred Rogers, tells the story of this utterly unique and enduring American icon. Drawing on original interviews, oral histories, and archival documents, Maxwell King traces Rogers’s personal, professional, and artistic life through decades of work, including a surprising decision to walk away from the show to make television for adults, only to return to the neighborhood with increasingly sophisticated episodes, written in collaboration with experts on childhood development. An engaging story, rich in detail, The Good Neighbor is the definitive portrait of a beloved figure, cherished by multiple generations.
In Pieces by Sally Field
One of the most celebrated, beloved, and enduring actresses of our time, Sally Field has an infectious charm that has captivated the nation for more than five decades, beginning with her first television role at the age of seventeen. With raw honesty and with all the humility and authenticity her fans have come to expect, Field brings readers behind-the-scenes for not only the highs and lows of her star-studded early career in Hollywood, but deep into the truth of her lifelong relationships—including her complicated love for her own mother. Powerful and unforgettable, In Pieces is an inspiring account of life as a woman in the second half of the twentieth century. The book doesn't ever lose sight of the fact that it's not only about Field's career or her life as an actress, it's about her life and all that has encompassed it. The end result is incredibly moving and powerful, and I recommend to any fan large or small of the beloved actress and icon.
My Love Story by Tina Turner
Tina Turner—the long-reigning queen of rock & roll and living legend—sets the record straight about her illustrious career and complicated personal life in this eye-opening and compelling memoir. From her early years in Nutbush, Tennessee to her rise to fame alongside Ike Turner to her phenomenal success in the 1980s and beyond, Tina candidly examines her personal history, from her darkest hours to her happiest moments and everything in between. My Love Story is an explosive and inspiring story of a woman who dared to break any barriers put in her way. Emphatically showcasing Tina’s signature blend of strength, energy, heart, and soul, this is a gorgeously wrought memoir as enthralling and moving as any of her greatest hits.
We Are Never Meeting in Real Life by Samantha Irby
I know this book didn’t come out in 2018 but I read it in 2018 and loved it very much so I figured it deserved a spot on this list (also, did I need one last book to bring this list to 10 and couldn’t find one? Yes.) Sometimes you just have to laugh, even when life is a dumpster fire. With We Are Never Meeting in Real Life, “bitches gotta eat” blogger and comedian Samantha Irby turns the serio-comic essay into an art form. Whether talking about how her difficult childhood has led to a problem in making “adult” budgets, explaining why she should be the new Bachelorette—she's “35-ish, but could easily pass for 60-something”—detailing a disastrous pilgrimage-slash-romantic-vacation to Nashville to scatter her estranged father's ashes, sharing awkward sexual encounters, or dispensing advice on how to navigate friendships with former drinking buddies who are now suburban moms—hang in there for the Costco loot—she's as deft at poking fun at the ghosts of her past self as she is at capturing powerful emotional truths. Highly recommend for anyone who needs a good, relatable chuckle.
Thursday, December 27, 2018
The 10 Best Movies of 2018
From the message of believing in the power within yourself in A Wrinkle in Time, to the horrifying truth behind conversion therapy in Boy Erased, to the overt campiness in A Simple Favor—these are our picks for the 10 best movies of the year.
A Wrinkle in Time
Ava DuVernay’s ambitious adaption of Madeleine L’Engle’s classic children’s book opened to largely mixed reviews in March—mostly on the negative side—with several critics commenting that the film’s emotional and spiritual message was lost in its colorful and extensive special effects. A Wrinkle in Time was one of my favorite books when I was in elementary school and while I haven’t read it since and I can admit this was a bit of a loose adaptation, the story itself is strange—and it’s supposed to be. I struggle to come up with a more difficult story to translate from page to screen than A Wrinkle in Time, and I think Ava DuVernay did an excellent and imaginative job with it. I also think this adaptation will have a lasting effect on the innocent minds who experience it, especially of what it’s like to grow up as a black girl. It’s also worth mentioning that while the film lost more money than it made, A Wrinkle in Time became the first live-action film with a nine-digit budget to be directed by a woman of color.
I Feel Pretty
It may not be Amy Schumer’s best movie, but the questions that I Feel Pretty asks are ones that we are often afraid to face in our world that continues to be obsessed with looks and thin bodies. The film’s strongest point, however, is Michelle Williams’ impeccable comedic timing—people need to start casting that woman in more comedies.
Life of the Party
Ever since Melissa McCarthy became one of the biggest breakout film stars of the 2010s, starring in a string of hit comedies following her appearance in Bridesmaids, she has been exploring other routes: 2014’s Tammy and St. Vincent were heartfelt dramedies, and 2015’s Spy failed to live up to the comedic timing of 2013’s Identity Thief and The Heat. 2016’s The Boss and Ghostbusters boosted McCarthy up again, but this year’s Life of the Party is definitely her best work in years—McCarthy stars as a middle-aged mom whose husband leaves her after their daughter enters college. Faced with the reality that she’s devoted too much of herself to her family at the expense of finishing her education, she decides to return to school…alongside her daughter. Maya Rudolph and Debby Ryan also appear in strong supporting roles.
Ocean’s 8
The script might have been a bit underwhelming and left something to be desired in the form of cleverness, but Ocean’s 8 is memorable for the performances of its badass female cast—Sandra Bullock, Cate Blanchett, Anne Hathaway, Mindy Kaling, Sarah Paulson, and Awkwafina and Rihanna in breakout supporting roles.
Won’t You Be My Neighbor?
I don’t trust anyone who got through the Mister Rogers documentary with dry eyes. That is all.
Incredibles 2
The long-awaited sequel to the first installment was worth the 14-year wait—although it’s definitely a wonder why it took so long—and excels simply by picking up right where the first one left off. A fun and action-packed storyline is enough to satisfy anyone who waited those 14 years to see these characters again.
A Simple Favor
Big Little Lies meets The Girl on the Train meets I Know What You Did Last Summer. Just as you might predict, the story becomes a bit far-fetched by a certain point and the ending is messy, but Anna Kendrick and Blake Lively’s breathtaking performances make you want to overlook any and all indiscretions.
A Star is Born
Where to even begin—from Bradley Cooper’s impeccable direction and deep vocal ability, to Lady Gaga’s indescribable performance as a true star on the rise that paralleled her own beginnings in the industry, to the excellent but tragically overhyped soundtrack… a true masterpiece. Also, just a friendly reminder going into award season where A Star is Born is bound to see some attention—it’s okay to not like popular things or dislike what others love, but it’s not okay to endlessly rant about how you don’t understand why everyone loves them and/or why they are winning accolades. Believe me when I say, hating popular things does not make you an interesting person.
Boy Erased
Joel Edgerton’s haunting adaption of Garrard Conley’s memoir of the same name (which I reviewed here) won’t soon leave your mind after you see it. Boy Erased tells the fictionalized account of Jarred Eamons (Lucas Hedges) who, after being outed to his Baptist parents in Arkansas at the age of 19, is forced to either attend conversion therapy, or be permanently disowned by his family. The film chronicles the disturbing beliefs of those who run conversion therapy programs, so riddled by internalized homophobia that they mask it with religion and call it love, as well as the devastatingly traumatic effects on those who take part in it. Nicole Kidman also co-stars as Jarred’s mother and, predictably, seals the deal. I highly recommend Boy Erased, considering conversion therapy is still legal in too many states as well as other parts of the world.
Mary Poppins Returns
I will admit to groaning when this project was first announced, as it was made to sound that they were remaking 1964’s Mary Poppins, which was ultimately not the case—Mary Poppins Returns is the long-awaited sequel to the classic live-action Disney musical, and it does not disappoint. While Emily Blunt’s portrayal of the world’s most famous nanny is definitely a caricature of Julie Andrews’ iconic portrayal, she also puts her own spin on the character, which is very satisfying. Something else that took me by surprise is how much Mary Poppins Returns is closely based on the other books in the Mary Poppins book series by P.L. Travers on which the original film was based. While the original film was always extraordinary, it was very out of touch with the characters in the book—but Mary Poppins Returns definitely brought the books more to mind. Several reviewers have even commented that Emily Blunt’s Mary Poppins is much more vein and short-tempered than Julie Andrews’ Mary Poppins, which is a clear reflection of the character in the books (which would make sense, given that Emily Blunt has stated that she read the books several times in preparation for the film). Lin-Manuel Miranda also shines as Jack, a cockney lamplighter and former apprentice of Bert from the original film, and the music and soundtrack is also just as heartfelt and memorable as you’d want it to be. All in all, this lifelong Mary Poppins fan was very satisfied with Mary Poppins Returns.
Saturday, December 22, 2018
The 50 Best Songs of 2018
From Camila Cabello’s whispery register on “Never Be the Same” to Carly Rae Jepsen reminding us all how to dance with ourselves on “Party For One,” these are my picks for the 50 best songs of 2018. This year was a mixed bag for most pop songs, with a long list of refreshing and catchy jams as well as songs with honest lyrics about mental health and the realities of everyday life. It may be getting harder and harder to make songs that stick with people, but these artists have accomplished that much and more. Here’s to another year of great music.
“Never Be the Same” – Camila Cabello
Fresh off the success of her breakout hit “Havana,” Camila Cabello continued to showcase her remarkable vocal ability on her debut solo album (among other things), and proved to us on “Never Be the Same” with her whispery register that she can handle just about anything—and we were truly never the same again.
Fresh off the success of her breakout hit “Havana,” Camila Cabello continued to showcase her remarkable vocal ability on her debut solo album (among other things), and proved to us on “Never Be the Same” with her whispery register that she can handle just about anything—and we were truly never the same again.
“My My My!” – Troye Sivan
2018 very well might have been the year of Troye Sivan—when people said he released one of the best pop songs of the year 11 days into January, they really weren’t wrong. “My My My!” is a dance-pop song like no other, with electro-synths and everything in between to strongly and freely convey the feelings of liberation in every sense of the word.
2018 very well might have been the year of Troye Sivan—when people said he released one of the best pop songs of the year 11 days into January, they really weren’t wrong. “My My My!” is a dance-pop song like no other, with electro-synths and everything in between to strongly and freely convey the feelings of liberation in every sense of the word.
“Dancing” – Kylie Minogue
Some groaned when Kylie flipped on her cowgirl hat and released the lead single off her latest album Golden, but there are just enough dance and disco vibes to make anyone get on their feet and snap their fingers to this catchy country pop hit.
Some groaned when Kylie flipped on her cowgirl hat and released the lead single off her latest album Golden, but there are just enough dance and disco vibes to make anyone get on their feet and snap their fingers to this catchy country pop hit.
“Heart to Break” – Kim Petras
Kim Petras may be problematic, but she sure knows how to make an all-too-perfect pop song that’s an earworm you never want to leave—seriously, I’m still waiting for the day I’m sick of this song.
Kim Petras may be problematic, but she sure knows how to make an all-too-perfect pop song that’s an earworm you never want to leave—seriously, I’m still waiting for the day I’m sick of this song.
“WOW” – Victoria Duffield
After a few years away, Canadian pop star Victoria Duffield returned to the scene this year—without a label this time, but wow—she knows what she’s doing on her own as far as making perfect and refreshing pop songs.
After a few years away, Canadian pop star Victoria Duffield returned to the scene this year—without a label this time, but wow—she knows what she’s doing on her own as far as making perfect and refreshing pop songs.
“Make Me Feel” – Janelle Monáe
Legions of artists have cited Prince and Michael Jackson as influences, but no one has quite taken their vibe and put their own unique, empowering spin on it quite like Janelle Monáe. On “Make Me Feel,” she creates her own new, electric energy that makes lines like “no one does it better” seem thrillingly refreshing.
Legions of artists have cited Prince and Michael Jackson as influences, but no one has quite taken their vibe and put their own unique, empowering spin on it quite like Janelle Monáe. On “Make Me Feel,” she creates her own new, electric energy that makes lines like “no one does it better” seem thrillingly refreshing.
“Stop Me From Falling” – Kylie Minogue
Kylie may have tipped her cowgirl hat and led us onto the dancefloor for some country pop on “Dancing,” but that was only the beginning—with “Stop Me From Falling,” the crowning achievement from her latest album, Minogue confirms she is talented to experiment with whatever genres she pleases.
“Magic” – Sia
It may be a soundtrack song from A Wrinkle in Time, but Sia continues to deliver powerful pop songs laced with deep, emotional meanings that have me in my feelings every time.
“High Horse” – Kacey Musgraves
Kylie Minogue wasn’t the only one who brought together country and disco this year—Kacey Musgraves slipped on her bellbottoms and broke out of her country confines to perfectly balance sweet and sassy on a catchy, feel-good, happy-hour vibe that brings together the collective sigh for everyone who knows someone who kills the buzz every time they open up their mouth.
“Lost In Japan” – Shawn Mendes
Shawn Mendes achieved a great deal of praise this year for expressing feelings of anxiety on his latest self-titled third album, but the song that always stood out to me was “Lost In Japan”—the original version showcases an incredibly groovy acoustic pop tune, while the Zedd remix from this fall is even better when you need to dance it out.
“Flames” – David Guetta & Sia
Not one David Guetta and Sia collaboration has ever proven to be bad, and on “Flames,” they provide just the right amount of high energy mixed with confronting feelings of hopelessness—but don’t stop, tomorrow’s another day.
“Get Me High” – Victoria Duffield
From the killer EDM vibes, to the showcase of Duffield’s continued vocal ability, “Get Me High” truly does make me feel higher.
“2002” – Anne-Marie
If people weren’t so busy complaining that pop music is dead, they would have noticed that Anne-Marie’s “2002” had the potential to be the next Teenage Dream—on a throwback track to her youth, British pop sensation Anne-Marie sings oops, she’s got 99 problems, singing bye bye bye, and you better hit her, baby, one more time—none of these songs are from 2002 per-say, of course, but it’s just cute and catchy enough to not leave your head, signaling a grand pop music achievement.
“No Tears Left to Cry” – Ariana Grande
If Ariana Grande would’ve had a crystal ball when she recorded “No Tears Left to Cry,” I’d be willing to bet that there would be more tears to come based on how much unnecessary time she spent in headlines this year for reasons beyond her control—but she still managed to release a strong lead single from her fourth album Sweetener about letting go and dancing it out.
“Ferrari” – Bebe Rexha
If you had told me a year ago that one of the most deep and personal songs I would hear in a long time would be by Bebe Rexha, I would have gladly laughed in your face—but on “Ferrari,” and on her full-length debut album Expectations, Rexha gladly proves that she has the depth and songwriting ability to back up her list of Top 40 hits. It’s a shame the Grammys spends so much time gushing about how poetic Lorde songs are when they should be looking at ones like these.
“I’ll Be There” – Jess Glynne
With the success of “I’ll Be There,” the lead single off Jess Glynne’s sophomore album Always In Between, she achieved her seventh number-one hit on the UK Singles Chart—more than any other artist in history. And it isn’t any mystery how she got there: she may not have changed or progressed stylistically since her first studio album, but Jess Glynne knows exactly what works for her and she’s sticking to it—because it’s very satisfying.
“If You’re Over Me” – Years & Years
The best song from British group Years & Years’ second album, Palo Santo. Most of their music either falls into synth-pop or indie pop, but on “If You’re Over Me,” they show that they’re not afraid to conquer pure bubblegum pop.
“Back to You” – Selena Gomez
Part of me wishes this was the lead single from a new Selena Gomez album, but until that day comes, “Back to You” is a summery bop with strong production to hold us over.
“Bloom” – Troye Sivan
Both an empowering queer coming-of-age tale and a classically catchy love song, everyone should be playing Troye Sivan like a love song, every time he comes on, because we got that sweet desire.
“Fall In Line” – Christina Aguilera feat. Demi Lovato
If there’s any two pop girls who have never fallen in line, musically or personally, it’s definitely Christina Aguilera and Demi Lovato. How did the universe not implode when two of their respective generations’ strongest vocalists collaborated on one track?
“Solo” – Clean Bandit feat. Demi Lovato
Carefree pop songs with lyrics about partying might have been one of the warning signs that Demi was headed back down a dangerous path (we’ll get to that soon enough), but her standout collaboration with Clean Bandit remains as unique and as catchy as the day it came out.
“Colour” – MNEK feat. Hailee Steinfeld
And the award for most underrated song of 2018 goes to…surely anything by MNEK or Hailee Steinfeld, or in this case, both. Hailee manages to bring such a great vibe to every song she’s in, and with MNEK, they created the perfect song for summer—and any season, for that matter.
“My Mistake” – Victoria Duffield
Making every single one of your new songs catchy and refreshing isn’t easy—but Victoria Duffield reminds us in just two minutes and thirty-seven seconds that she will always be an underappreciated gem.
“Dance to This” – Troye Sivan feat. Ariana Grande
Two artists sounding so perfect together on one song doesn’t happen every day, certainly making “Dance to This” an achievement to dance to.
“Just Thought You Should You Know” – Betty Who
We should be more grateful for Betty Who, a.k.a. one of the only pop singers keeping ‘80s synth-pop alive. It will be interesting to see what she does next, given that she is free of her record deal with RCA and on her own again, which in Betty Who’s case, has always allowed for more creative freedom—just thought you should know.
“Growing Pains” – Alessia Cara
Did I ever recover from the way Alessia Cara just came up in here and put the horrible reality of entering adulthood into beautifully poetic words like only she can on the lead single from her second album? The answer is no.
“I’m a Mess” – Bebe Rexha
It’s easy to make a pop song about boy problems or a relationship gone wrong, but it’s another thing altogether to make catchy pop songs about feeling down and being a mess, which are apart of reality just as much as happy times. She may be a mess, but Bebe Rexha reminds us that it’s okay to not be okay.
“Sober” – Demi Lovato
Where were you when Demi announced she was releasing a surprise new song and then you pressed play and found out she had broken her sobriety after six years and you never stopped crying? All tears aside—it takes an unbelievable amount of strength and bravery to write and record a song about the fact that you’ve fallen off the wagon with the future uncertain, and for that Lovato deserves more praise than we can ever give her.
“God is a Woman” – Ariana Grande
During the early stages of creating Grande’s next studio album, her manager Scooter Braun stated that it was finally time for Ariana to “have her song”… well, she found it, and it confirms what everyone knew to be true in their hearts—god has always been a woman.
“Remember You” – Victoria Duffield feat. Sebastian Olzanski
Duffield even shows us that she can experiment with a Latin pop song—is there anything she can’t do? We need the full album in 2019!
“Gimme! Gimme! Gimme! (A Man After Midnight)” – Cher
Cher’s version of this ABBA classic will always be one thousand times better than the original. There. I said it.
“All I Am” – Jess Glynne
One of the catchiest songs of the year? Possibly. One of the catchiest songs of the decade? Very well might be.
“Sweet But Psycho” – Ava Max
In a perfect world, this song should have hit number one on the Billboard Hot 100. One of my personal favorites from this year. Pop newbie Ava Max needs an album ASAP.
“I Don’t Exist” – Olivia O’Brien
She’s only 19, but Olivia O’Brien has mastered her own deep and raspy trip-hop voice to continue singing about not fitting in, falling apart, and feeling empty—three things that, again, we must also include in our pop songs.
“Breathin” – Ariana Grande
A catchy tune about anxiety and remembering to keep on breathin’ with an infectious beat that never gets old? Yes please!
“Head Above Water” – Avril Lavigne
Five years since her last album, Avril Lavigne finally rose from the ashes with new music this year—after saying it was coming soon on social media for literally years—and remains just as talented as the day we first met her. Few artists can deliver emotional ballads like Avril, especially with scenic music videos.
“Dance With Me” – Nile Rodgers & Chic feat. Hailee Steinfeld
Do we really have the privilege of being alive at the same time as when Hailee Steinfeld has a disco funk song with Chic? The answer is YES.
“Sucker Punch” – Sigrid
Norwegian pop star Sigrid truly hit us with a sucker punch with this one, so hopefully we won’t kill her vibe.
“Trust My Lonely” – Alessia Cara
A flawlessly blended R&B and pop song that seems to be about a toxic relationship with someone but is really about a toxic relationship with yourself and your own bad habits? Now that’s what I like to see.
“1999” – Charli XCX & Troye Sivan
Charli XCX and Troye Sivan were both under the age of 10 in 1999 but that doesn’t mean we don’t all want to go back, take a ride through our old neighborhood, and sing hit me baby, one more time.
“I’m Still Here” – Sia
Sia doesn’t even have to be recording songs for her own albums and she still manages to deliver such emotionally charged songs about depression and anxiety. I’m not crying you’re crying.
“Ruin My Life” – Zara Larsson
Did Zara Larsson ruin my life when she released this extremely satisfying song that I still haven’t stopped listening to on repeat? Yes. Yes she did.
“Expectations” – Lauren Jauregui
I was hesitant to listen to any of the solo music of former Fifth Harmony members after they announced a hiatus to focus on solo projects—which appeared all too hypocritical following their public bashing of Camila Cabello in 2017 after she left the group to launch a high-profile solo career. But hypocrisy aside, Lauren Jauregui is a talented girl (not to mention her voice and high notes are easily recognizable in any number of Fifth Harmony hits), and her debut solo single “Expectations” has a sexy, mellow vibe somewhat reminiscent of Demi Lovato, Selena Gomez, or even Avril Lavigne, and I’m now invested in her solo music because I think she’ll do well. I’m still working on excusing the hypocrisy of it all, but I’ll enjoy what she’s offering until then.
“Party For One” – Carly Rae Jepsen
Did Carly Rae Jepsen really wait until November to release the ultimate emergency dance party anthem about being by yourself and loving it? She DID. Not to mention it is so unbelievably refreshing to hear Jepsen’s beautiful voice with new production that isn’t ‘80s synth and dance-pop.
“Baby” – Clean Bandit feat. Marina and the Diamonds & Luis Fonsi
Studies have shown that life gets better when you listen to Marina’s flawless high notes. Satisfaction guaranteed or your money back.
“Back to Life” – Hailee Steinfeld
It’s only a soundtrack single from her latest major motion picture Bumblebee, but it’s good enough to distract us until Hailee finally releases her debut studio album which better be coming in 2019 or I am officially filing a lawsuit.
“Voices in My Head” – Ashley Tisdale
Ashley Tisdale releases her first song in 9 years and it’s an energetic bop about anxiety and depression? Sign me up. She also has a new album called Symptoms coming soon.
“Not Today” – Alessia Cara
Will I ever be over how Alessia Cara did it again and put feelings of hopelessness and depression into words to make us all feel a little bit better about not being up to the challenge some days? Surely not today.
“Forget You Not” – Little Mix
The best song from Little Mix’s new album, LM5. Don’t @ me.
“Tell Me It’s Over” – Avril Lavigne
Did Avril really release this exceptionally mature song with exceptionally beautiful production and lyrics and set the stage for 2019 with her upcoming and highly anticipated sixth studio album Head Above Water? You bet your sweet behind she did!
Kylie may have tipped her cowgirl hat and led us onto the dancefloor for some country pop on “Dancing,” but that was only the beginning—with “Stop Me From Falling,” the crowning achievement from her latest album, Minogue confirms she is talented to experiment with whatever genres she pleases.
“Magic” – Sia
It may be a soundtrack song from A Wrinkle in Time, but Sia continues to deliver powerful pop songs laced with deep, emotional meanings that have me in my feelings every time.
“High Horse” – Kacey Musgraves
Kylie Minogue wasn’t the only one who brought together country and disco this year—Kacey Musgraves slipped on her bellbottoms and broke out of her country confines to perfectly balance sweet and sassy on a catchy, feel-good, happy-hour vibe that brings together the collective sigh for everyone who knows someone who kills the buzz every time they open up their mouth.
“Lost In Japan” – Shawn Mendes
Shawn Mendes achieved a great deal of praise this year for expressing feelings of anxiety on his latest self-titled third album, but the song that always stood out to me was “Lost In Japan”—the original version showcases an incredibly groovy acoustic pop tune, while the Zedd remix from this fall is even better when you need to dance it out.
“Flames” – David Guetta & Sia
Not one David Guetta and Sia collaboration has ever proven to be bad, and on “Flames,” they provide just the right amount of high energy mixed with confronting feelings of hopelessness—but don’t stop, tomorrow’s another day.
“Get Me High” – Victoria Duffield
From the killer EDM vibes, to the showcase of Duffield’s continued vocal ability, “Get Me High” truly does make me feel higher.
“2002” – Anne-Marie
If people weren’t so busy complaining that pop music is dead, they would have noticed that Anne-Marie’s “2002” had the potential to be the next Teenage Dream—on a throwback track to her youth, British pop sensation Anne-Marie sings oops, she’s got 99 problems, singing bye bye bye, and you better hit her, baby, one more time—none of these songs are from 2002 per-say, of course, but it’s just cute and catchy enough to not leave your head, signaling a grand pop music achievement.
“No Tears Left to Cry” – Ariana Grande
If Ariana Grande would’ve had a crystal ball when she recorded “No Tears Left to Cry,” I’d be willing to bet that there would be more tears to come based on how much unnecessary time she spent in headlines this year for reasons beyond her control—but she still managed to release a strong lead single from her fourth album Sweetener about letting go and dancing it out.
“Ferrari” – Bebe Rexha
If you had told me a year ago that one of the most deep and personal songs I would hear in a long time would be by Bebe Rexha, I would have gladly laughed in your face—but on “Ferrari,” and on her full-length debut album Expectations, Rexha gladly proves that she has the depth and songwriting ability to back up her list of Top 40 hits. It’s a shame the Grammys spends so much time gushing about how poetic Lorde songs are when they should be looking at ones like these.
“I’ll Be There” – Jess Glynne
With the success of “I’ll Be There,” the lead single off Jess Glynne’s sophomore album Always In Between, she achieved her seventh number-one hit on the UK Singles Chart—more than any other artist in history. And it isn’t any mystery how she got there: she may not have changed or progressed stylistically since her first studio album, but Jess Glynne knows exactly what works for her and she’s sticking to it—because it’s very satisfying.
“If You’re Over Me” – Years & Years
The best song from British group Years & Years’ second album, Palo Santo. Most of their music either falls into synth-pop or indie pop, but on “If You’re Over Me,” they show that they’re not afraid to conquer pure bubblegum pop.
“Back to You” – Selena Gomez
Part of me wishes this was the lead single from a new Selena Gomez album, but until that day comes, “Back to You” is a summery bop with strong production to hold us over.
“Bloom” – Troye Sivan
Both an empowering queer coming-of-age tale and a classically catchy love song, everyone should be playing Troye Sivan like a love song, every time he comes on, because we got that sweet desire.
“Fall In Line” – Christina Aguilera feat. Demi Lovato
If there’s any two pop girls who have never fallen in line, musically or personally, it’s definitely Christina Aguilera and Demi Lovato. How did the universe not implode when two of their respective generations’ strongest vocalists collaborated on one track?
“Solo” – Clean Bandit feat. Demi Lovato
Carefree pop songs with lyrics about partying might have been one of the warning signs that Demi was headed back down a dangerous path (we’ll get to that soon enough), but her standout collaboration with Clean Bandit remains as unique and as catchy as the day it came out.
“Colour” – MNEK feat. Hailee Steinfeld
And the award for most underrated song of 2018 goes to…surely anything by MNEK or Hailee Steinfeld, or in this case, both. Hailee manages to bring such a great vibe to every song she’s in, and with MNEK, they created the perfect song for summer—and any season, for that matter.
“My Mistake” – Victoria Duffield
Making every single one of your new songs catchy and refreshing isn’t easy—but Victoria Duffield reminds us in just two minutes and thirty-seven seconds that she will always be an underappreciated gem.
“Dance to This” – Troye Sivan feat. Ariana Grande
Two artists sounding so perfect together on one song doesn’t happen every day, certainly making “Dance to This” an achievement to dance to.
“Just Thought You Should You Know” – Betty Who
We should be more grateful for Betty Who, a.k.a. one of the only pop singers keeping ‘80s synth-pop alive. It will be interesting to see what she does next, given that she is free of her record deal with RCA and on her own again, which in Betty Who’s case, has always allowed for more creative freedom—just thought you should know.
“Growing Pains” – Alessia Cara
Did I ever recover from the way Alessia Cara just came up in here and put the horrible reality of entering adulthood into beautifully poetic words like only she can on the lead single from her second album? The answer is no.
“I’m a Mess” – Bebe Rexha
It’s easy to make a pop song about boy problems or a relationship gone wrong, but it’s another thing altogether to make catchy pop songs about feeling down and being a mess, which are apart of reality just as much as happy times. She may be a mess, but Bebe Rexha reminds us that it’s okay to not be okay.
“Sober” – Demi Lovato
Where were you when Demi announced she was releasing a surprise new song and then you pressed play and found out she had broken her sobriety after six years and you never stopped crying? All tears aside—it takes an unbelievable amount of strength and bravery to write and record a song about the fact that you’ve fallen off the wagon with the future uncertain, and for that Lovato deserves more praise than we can ever give her.
“God is a Woman” – Ariana Grande
During the early stages of creating Grande’s next studio album, her manager Scooter Braun stated that it was finally time for Ariana to “have her song”… well, she found it, and it confirms what everyone knew to be true in their hearts—god has always been a woman.
“Remember You” – Victoria Duffield feat. Sebastian Olzanski
Duffield even shows us that she can experiment with a Latin pop song—is there anything she can’t do? We need the full album in 2019!
“Gimme! Gimme! Gimme! (A Man After Midnight)” – Cher
Cher’s version of this ABBA classic will always be one thousand times better than the original. There. I said it.
“All I Am” – Jess Glynne
One of the catchiest songs of the year? Possibly. One of the catchiest songs of the decade? Very well might be.
“Sweet But Psycho” – Ava Max
In a perfect world, this song should have hit number one on the Billboard Hot 100. One of my personal favorites from this year. Pop newbie Ava Max needs an album ASAP.
“I Don’t Exist” – Olivia O’Brien
She’s only 19, but Olivia O’Brien has mastered her own deep and raspy trip-hop voice to continue singing about not fitting in, falling apart, and feeling empty—three things that, again, we must also include in our pop songs.
“Breathin” – Ariana Grande
A catchy tune about anxiety and remembering to keep on breathin’ with an infectious beat that never gets old? Yes please!
“Head Above Water” – Avril Lavigne
Five years since her last album, Avril Lavigne finally rose from the ashes with new music this year—after saying it was coming soon on social media for literally years—and remains just as talented as the day we first met her. Few artists can deliver emotional ballads like Avril, especially with scenic music videos.
“Dance With Me” – Nile Rodgers & Chic feat. Hailee Steinfeld
Do we really have the privilege of being alive at the same time as when Hailee Steinfeld has a disco funk song with Chic? The answer is YES.
“Sucker Punch” – Sigrid
Norwegian pop star Sigrid truly hit us with a sucker punch with this one, so hopefully we won’t kill her vibe.
“Trust My Lonely” – Alessia Cara
A flawlessly blended R&B and pop song that seems to be about a toxic relationship with someone but is really about a toxic relationship with yourself and your own bad habits? Now that’s what I like to see.
“1999” – Charli XCX & Troye Sivan
Charli XCX and Troye Sivan were both under the age of 10 in 1999 but that doesn’t mean we don’t all want to go back, take a ride through our old neighborhood, and sing hit me baby, one more time.
“I’m Still Here” – Sia
Sia doesn’t even have to be recording songs for her own albums and she still manages to deliver such emotionally charged songs about depression and anxiety. I’m not crying you’re crying.
“Ruin My Life” – Zara Larsson
Did Zara Larsson ruin my life when she released this extremely satisfying song that I still haven’t stopped listening to on repeat? Yes. Yes she did.
“Expectations” – Lauren Jauregui
I was hesitant to listen to any of the solo music of former Fifth Harmony members after they announced a hiatus to focus on solo projects—which appeared all too hypocritical following their public bashing of Camila Cabello in 2017 after she left the group to launch a high-profile solo career. But hypocrisy aside, Lauren Jauregui is a talented girl (not to mention her voice and high notes are easily recognizable in any number of Fifth Harmony hits), and her debut solo single “Expectations” has a sexy, mellow vibe somewhat reminiscent of Demi Lovato, Selena Gomez, or even Avril Lavigne, and I’m now invested in her solo music because I think she’ll do well. I’m still working on excusing the hypocrisy of it all, but I’ll enjoy what she’s offering until then.
“Party For One” – Carly Rae Jepsen
Did Carly Rae Jepsen really wait until November to release the ultimate emergency dance party anthem about being by yourself and loving it? She DID. Not to mention it is so unbelievably refreshing to hear Jepsen’s beautiful voice with new production that isn’t ‘80s synth and dance-pop.
“Baby” – Clean Bandit feat. Marina and the Diamonds & Luis Fonsi
Studies have shown that life gets better when you listen to Marina’s flawless high notes. Satisfaction guaranteed or your money back.
“Back to Life” – Hailee Steinfeld
It’s only a soundtrack single from her latest major motion picture Bumblebee, but it’s good enough to distract us until Hailee finally releases her debut studio album which better be coming in 2019 or I am officially filing a lawsuit.
“Voices in My Head” – Ashley Tisdale
Ashley Tisdale releases her first song in 9 years and it’s an energetic bop about anxiety and depression? Sign me up. She also has a new album called Symptoms coming soon.
“Not Today” – Alessia Cara
Will I ever be over how Alessia Cara did it again and put feelings of hopelessness and depression into words to make us all feel a little bit better about not being up to the challenge some days? Surely not today.
“Forget You Not” – Little Mix
The best song from Little Mix’s new album, LM5. Don’t @ me.
“Tell Me It’s Over” – Avril Lavigne
Did Avril really release this exceptionally mature song with exceptionally beautiful production and lyrics and set the stage for 2019 with her upcoming and highly anticipated sixth studio album Head Above Water? You bet your sweet behind she did!
And, as always, you can listen to this entire playlist on Spotify and let me know your favorite songs from this year!
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