I'll tell you one thing: this started off promising.
It really did. When I started Everything, Everything, I got
the feeling that it would destroy me emotionally and leave me in a book
hangover. But, as a lot of contemporary YA books do, it soon fell into cliché,
overly cheesy and sometimes completely unrealistic territory.
Everything, Everything follows
18-year-old Madeline, who is sick with a rare illness in which she is
essentially allergic to everything, and going outside is too big a risk. So,
she stays inside her house all day every day, going to school online and the
only interaction she has is with her mother and Carla, her nurse. Her love for
reading is just as big as her desire to live a normal life. But then, oh then,
a boy moves in next door, Olly, whose got family problems of his own. You see
where this is going.
While the premise sounds like a thousand other YA
books, I'll admit that the premise of Madeline's illness sounded interesting to
me. It didn't quite sound like she was going to die (which she doesn't; that
isn't really a spoiler), so I was intrigued to see where this book was going to
go. But as it went on, it slowly lost its pzazz. A lot of chapters had barely
any dialogue; just Madeline obsessing over anything. Having never been able to
leave the house, I kind of understood her overthinking of things at first, but
then I stopped giving her the time of day. She was just being "typical
teenage girl" melodramatic after awhile. Not only that, the entire prose
became melodramatic. Maybe I would have been into it if the story hadn't
started to lose me, but even then, it did. But, at the same time, I just
couldn't figure out where the story was going to go, so I still had motivation
to continue reading.
Toppled with stereotypical teen melodrama, Everything, Everything just becomes unrealistic. At one
point, Madeline just gets the urge to run outside and protect Olly during a
family spat, surprising everyone. Okay, no. You expect us to believe a girl who
has supposedly never left the house just gets the urge to run outside? Does she
even know how to do that? All for her precious Olly. Yeah, yeah, yeah. Nothing
special to see here. Madeline then somehow applies for a credit card and seems
to get one, no questions asked, and book a trip to Hawaii. At this point, I was
just laughing and rolling my eyes while reading. I know there are some readers
who would buy this in a YA book, but I'm not one of them.
Olly's story wasn't anything particularly special, either. His father is abusive and became so after losing his job, yadda yadda yadda. It seems the author put zero effort in making that story unique in any way; bland as bland could be. Father becomes abusive because he lost his job has been seen many other times. At this point, Everything, Everything started to remind me of All the Bright Places by Jennifer Niven, except in that book, more is left up to the imagination about the male character's home life, which I thought was much more effective.
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